The paintings aren’t, however, infinitely repeatable. There are dozens of Lady Janes in the young Scottish artist Rachel Macleans Please, Sir (2014), a two-screen film dialogue recently exhibited at Rowing. Paintings and sculptures of the two Mimis seem flawless and endlessly repeatable, a levelling into homogeneity via digital painting and 3D printing that highlights the creepy effacement of individuality brought about by screens, our modern mirrors. Woven tapestries mix traditional blending of colours in an almost painterly fashion with disconcerting synthetic fibres, short-circuiting a traditional process by both modernising it and undermining it. Read Deadly Origins, the Detective Zoe Finch prequel novella exclusive to the Rachel McLean book club.
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Free with Kindle Unlimited membership Join Now. Gravity pulls both ways, with each work partnered to an inverted double, perpetually upending to reveal new forms and faces- a neat shorthand for the mysterious lack of an anchoring horizon in digitally mediated life. Book 5 of 7: Dorset Crime by Rachel McLean Sold by: Services LLC. Read Deadly Origins, the Detective Zoe Finch prequel novella exclusive to the Rachel McLean book club. In this companion set of prequel stories to Thicker Than Water, discover how Sonia, Jess, Ben and Ruth Dyer are forced to leave London as it descends into chaos. Maclean mirrors and inverts throughout the exhibition, employing technology and fabrication to hit repeated notes of uneasy, uncanny perfection in a seamless, sometimes seemingly virtual space in which the viewer is implicated. Rachel Maclean is a multi-media artist born in 1987 in Edinburgh. It isolates her as it defines her, bullies her and tricks her, and most of all divides her in two. Rachel Maclean is a Glasgow-based multi-media artist who creates artificial visions using green-screen technology. But the mirror, like every fairy-tale antagonist, does more harm than good. “Maybe you can save Mi,” she says to the hand-mirror lying on the grass. It has a test, challenging the protagonist as it escalates, and it has a dramatic conclusion. Upside mimi ᴉɯᴉɯ uʍop is a fairy tale: it has an apple-cheeked child, and a wizened crone. That’s not Mi! is an unprecedented intervention of the 40-46 Riding House Street galleries and the climax of the Mimi project upside mimi ᴉɯᴉɯ uʍop - the artists first fully animated film, debuted at Jupiter Artland in May 2021 before being recently screened at the London Film Festival in October 2021. She represented Scotland in the Venice Biennale in 2017.Over the past decade, Maclean’s celebrated works of incisive commentary on modern life cloaked in costume and graphic skins have travelled the world, from the National Gallery and Tate in London to the Venice Biennale, where she was the 2017 representative for Scotland. Maclean was nominated for the Film London Jarman Award in 2013 and won Glasgow Film Festival’s Margaret Tait Award in 2013.
Situated at the end of a woodland path, the structure takes the form of a candy-coloured toy shop. The exhibition will also unveil a new commission and the artist’s first permanent outdoor installation entitled upside mimi uop. Commissioned by Bold Yin for Channel 4 Random Acts. Recent screenings include Feed Me at Athens and Luxembourg Film Festival (2016) Moving Pictures for British Council and Film London (2015-16) and Lolcats at Impakt Festival, Utrecht, The Netherlands (2014). Rachel Maclean, Germs, 2013, digital video still. at Rowing, London (2014) The Weepers at Comar, Mull (2014) Happy & Glorious at CCA, Glasgow (2014). Rachel Maclean (born 1987) is a Scottish multi-media artist. Recent exhibitions include British Art Show 8 (2015) Ok, You've Had Your Fun at Casino Luxembourg (2015) Please, Sir. She largely works in green-screen composite video and digital print, often installing this alongside props, costumes and related sculpture. Rachel Maclean is an artist based in Glasgow, her work slips inside and outside of history and into imagined futures, creating hyper-glowing, artificially saturated visions that are both nauseatingly positive and cheerfully grotesque.
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